Written by Gemma Hathaway
EDI Trust Lead for Inspire Education Trust, Assistant Headteacher at Blue Coat School Coventry.
This blog is written by Cami Chan – a Year 13 Student from Blue Coat School, Coventry.
As EDI Lead for our school and Trust, I am proud to support student voices like Cami’s. Her article demonstrates the importance of giving young people opportunities to think critically about representation, identity and belonging within literature and media. Through thoughtful analysis, Cami challenges stereotypes and highlights why diverse perspectives matter within education today.
Creating psychologically safe environments in schools is essential to this work. When students feel safe to express ideas, question assumptions and share their experiences, they develop confidence, empathy and independent thought, skills that are vital both inside and outside the classroom.
My first encounter with literature from a POC’s perspective was in year 10, with Tanika Gupta’s play – The Empress. A historical drama set in the last 14 years of Queen Victoria’s reign, where we follow the main characters Rani Das, a young Ayah fresh off the boat from Kolkata and Abdul Karim, a soon-to-be servant of Queen Victoria into their personal journey within the Great British Empire. Gupta masterfully presents the themes of colonialism as well as showcases the interactions between the white British Empire, and the people of colour. The diverse cast of characters all have a sophisticated depth to them. Rani begins the journey as an ayah with blinding naivety and ends by becoming a school teacher, sharing her wisdom with the next generation. Her growth shows to the audience that even in a disadvantaged position within society, you can create a voice for yourself.
As times change, we are finally able to see more nuanced representations of minorities in the media. Looking at the evolution of Katie Leung’s acting career, she began with playing the character of Cho Chang in the Harry Potter movies. The docile, pretty, smart Chinese girl who was Harry’s object of attraction – and only that. In the movies, Cho Chang’s main appearances were either by the side of Cedric Diggory or with Harry. Later on, the scene where she was dragged by Draco by the coat after “betraying” Dumbledore’s army made her look meek and powerless. The characterisation of Cho Chang in the movies was white male centric, as if her whole personality was based on the handsome, charming white men around her. Because of the small sample size of representation, it creates the idea that Chinese girls only can be like Cho Chang – quiet and powerless, especially to the young audience of the Harry Potter series. It stops people from rejecting and speaking against stereotypes, while forcing a specific view of Chinese people. In recent years, people have taken off their rose-tinted glasses and realised that such caricatures were actually harmful. Consider the release of Bridgerton season 4, a show that bypasses historical accuracies to uplift POC actors. Leung starred as Araminta Gun, the evil stepmother of House Penwood who acted as the antagonist against the main heroine. The character of Araminta is complex, she is seen to be cruel, but it’s what she had to do to keep her title and relevancy in society. In the scene where the Penwoods arrive at Lady Cressida’s ball, Araminta complains about how the party decor was “浮誇 (over the top)” in Cantonese. Rosamund responds in the same language whilst Posy only responds in English. This deliberate act of isolating her child emphasises her manipulation, keeping Rosamund as the “favourite daughter” and disregarding Posy. This portrayal of a malevolent matron who schemes her way in society shows that Chinese people aren’t just meek, math-loving caricatures, these people are real and have complexities to their personalities.
People of all races are nuanced and deserve to be represented. Whilst the works of Dickens and Priestley are well established in English Literature, they fail to reflect on the diversity within classrooms today. Britain has always been a multicultural country and will always be. Modern media such as Bridgerton have begun taking a step in showing the cultural diversity within society, yet at many schools the curriculum remains stuck in the past, focusing mainly on white perspectives. By introducing diversity in media, literature and the like, it inspires children to challenge the labels placed on them, allowing them to more freely express themselves. It’s been a privilege to be able to study literature from diverse perspectives, in GCSE and A-level. However, I don’t want this to only be my privilege, but a norm within school curriculums. Therefore, schools should aim to further widen the texts and material they give to students, not to just focus on one singular experience or perspective.
Cami’s reflections remind us that representation matters because young people deserve to see the full complexity of themselves and others reflected in the stories they study. A broad and inclusive curriculum helps students challenge stereotypes, develop understanding and recognise the value of different perspectives. As schools, we must continue creating cultures where every student feels heard, respected and able to contribute confidently. When young people are empowered to think critically and express themselves authentically, education becomes not only more inclusive, but more meaningful for everyone.